English: Painting shows at left the North frieze slab XLVII and the West frieze Slabs I and up visible at right.[1]
Among the spectators, critics have identified Pericles, the bearded man facing Phidias. Next to him is his mistress, Aspasia. In the foreground stands a boy, Alcibiades, with his lover, Socrates.[2][3][4]
Honoko hau, domeinu publikoan dagoen bi dimentsioko artelan baten argazki-erreprodukzio fidela da. Artelana domeinu publikoan dago ondoko arrazoi hauengatik:
Public domainPublic domainfalsefalse
Lan hau jabetza publikoan dago bai bere jatorrizko herrialdean, bai egile eskubideak egilea hil eta 100 urtera edo gutxiagora iraungitzen diren gainerako herrialdeetan.
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
Wikimedia Fundazioak duen jarrera ofiziala hau da:«domeinu publikoan dauden bi dimentsioko erreprodukzio fidelak domeinu publikokoak dira.» Argazki-erreprodukzio hau, beraz, domeinu publikokotzat hartzen da Estatu Batuetan. Beste jurisdikzio batzuetan eduki honen berrerabilera mugatua egon liteke; xehetasunetarako, ikus Reuse of PD-Art photographs.
↑See Parthenon Frieze Slabs at [1] Last accessed 07-Apr-2007
↑"[S]undry prominent Athenians, including Perikles with Aspasia, and Socrates with young Alcibiades, perambulate the scaffolding . . ." Nigel Spivey, Understanding Greek Sculpture, p.152
↑"he introduces us to Phidias showing the frieze of the Parthenon to Pericles, Alcibiades, and Aspasia;" in SCRIBNERS MAGAZINE, DECEMBER 1895, LAURENS ALMA-TADEMA, R.A. By Cosmo Monkhouse; p.670 Photo of page in the Cornell Library
↑"Little is actually known of the life of Phidias, but Alma Tadema's picture easily convinces us that thus the great sculptor displayed to his friends and patrons his completed handiwork. Phidias himself, standing within the rope barrier, seems to await the favorable verdict of his illustrious protector, Pericles, who confronts him and has at his side the beautiful Aspasia. The young man at the extreme left seems meant for Alcibiades, who has also accepted an invitation to this private view of the frieze of the Parthenon, seen not as we now behold it in the British Museum, but with its match-less figures glowing with the tints just laid upon it by Phidias and his fellow-workers." in Among the Great Masters of Painting: Scenes in the Lives of Famous Painters; Walter Rowlands p.2
Irudi-oineko testuak
Add a one-line explanation of what this file represents